The guitar source impedance is about 30k but it can be a lot more if the volume knob is not max because you have the impedance of the pot. You need to know what the source impedance of the guitar is and what the input impedance of the amp is. confused!ĭI-ing and reamp-ing is all about matching impedances. One huge unexpected observation I’m having is that this backwards transformer DI works well for _both_ instrument in to mic preamp _and_ for reamping when used the same direction as the DI. So my question is, what am I misunderstanding here? I hope I have presented some useful thoughts for my confusion. so then I switched it to being inserted as a DI (50k in, 200 out) and it lowered the signal significantly. I then inserted it onto the track from my DAW - line in to 200 ohm side, and 50k out into the DAW - and it did not change the signal level at all, only sounded like good harmonic distortion from a transformer at a 1:1 level type of sound. However, when I plugged the Line level signal into the 50k “input” of the DI, it dropped the signal appropriately and sounded great through the amp. The signal was extremely hot - unusably hot to go into an amp. have mentioned simply turning signals down instead of using a true reamp process, I wanted to see how much it bumped line level signal down and so I tried this. I know that a DI backwards is _not the same as a reamp_, but given that some folks like Jakob E.
I have a UTC A-10 wired backwards - instrument goes in 50k, comes out 200 ohm - and this works when plugged into a mic pre and makes sense to me, in that it changes an instrument’s pickups impedances from high Z to lo Z mic level, however, does this actually make the signal (voltage?) quieter? Here are a couple questions/scenarios which will hopefully illustrate my confusion: Forgive my noob-ness, but I am trying to make respectable sense of building DIs and Reamp boxes.
0 kommentar(er)
